FROM HERE TO ETERNITY* (S) — Daniel Taradash — 2/23/53 THE SEARCHERS — Frank Nugent — Revised Final Draft (’56) HANNAH AND HER SISTERS* — Woody Allen (’86) ANNIE HALL* — Woody Allen/Marshall Brickman — 8/16/76 — 120 pgs. BLADE RUNNER — Hampton Fancher/David Peoples — 5/15/81 — 133 pgs. L.A. DARK CITY (1X01 PILOT) LOST (212 FIRE) BOILER ROOM — Ben Younger — 6/11/98 TOTAL RECALL IL POSTINO — Michael Radford and Four Italians — (’94) THE HUSTLER — Robert Rossen — 3/21/61 ZOMBIELAND OZ (PILOT) THE MALTESE FALCON — John Huston — 5/26/41 — 147 pgs. REAR WINDOW (S) — John Michael Hayes — 12/1/53 BRING ME THE HEAD OF ALFREDO GARCIA — Gordon Dawson/Sam Peckinpah — 7/8/72 1/15/85 THE INFORMANT BIG MOMMA’S HOUSE — Final Shooting Script — 4/20/00 TROUBLE WITH THE CURVE BORN ON THE FORTH OF JULY — Oliver Stone — 8/88 THE GATES (’49) GLENGARRY GLEN ROSS — David Mamet — First Draft (’92) ENTER THE DRAGON — Micheal Allin — w/rev. THE FISHER KING — Richard LaGravenese — 7/17/90 THE WALKING DEAD (PILOT) DIE HARD — Jeb Stuart/Steven DeSouza –10/31/87 EIGHT MILLIMETER — Andrew Kevin Walker — 5/6/97 CRUSADE — Walon Green — 1/24/93 THE GODFATHER II* (S) — Francis Ford Coppola/Mario Puzo — 9/24/73 Script fly movie scripts in their original format, usually ranging from $15 to $25; specials offered for as low as 2.99. LEAVING LAS VEGAS — Mike Figgis — 2/8/94 TOY STORY ALL ABOUT EVE* (S) — Joseph L. Mankiewicz — 4/5/50 — 180 pgs. VERONICA MARS (PILOT) WEDDING SINGER SCENT OF A WOMAN — Bo Goldman — Revised 12/31/91 ROUNDERS — David Levien/Brian Koppelman — Third Draft (’98) YOUR HIGHNESS ANATOMY OF A MURDER (S) — Wendell Mayes — 197 pgs. IT’S ALWAYS SUNNY IN PHILADELPHIA (PILOT) X MEN (MICHAEL CHABON TREATMENT) GOODFELLAS — Nicholas Pileggi/Martin Scorsese — 1/12/89 THE GETAWAY — Walter Hill — 11/5/71 TWISTER(1996) 30 ROCK 1X01 PILOT RAISING ARIZONA — Joel and Ethan Coen — 8/18/85 TOM HORN — Thomas McGuane/Bid Shrake — 1/2/79 WITHNAIL & I — Bruce Robinson (’87) PROVIDENCE — Josh Schwartz — 11/19/97 THE BEGUILED — Albert Maltz — 8/1/69 PERDITA DURANGO (a.k.a. SEVEN — Andrew Kevin Walker — Original Spec Draft (’95) THE CROWDED ROOM — Todd Graf/James Cameron? BADLANDS — Terrence Malick — 6/72 — 108 pgs. TO KILL A MOCKINGBIRD (1962)SHOOTINGSCRIPT Fink/Dean Riesner — 2/8/71 Thanks for checking out Hollywood Script Finder! THE WAY TO SANTIAGO — Orson Welles — 3/25/41 HIGHLANDER — Gregory Widen (’86) THE MAN WHO WOULD BE KING — John Huston/Gladys Hill — 11/15/74 THE DARK KNIGHT (STRUCTURE REPORT) PLATOON — Oliver Stone — 2/10/86 ORDINARY PEOPLE* — Alvin Sargent — 9/21/79 THE ODYSSEY, PART 2 (1997) TWO FISTED TALES (“THE MANHATTAN PROJECT”) — Fred Dekker — 8/1/90 9 1/2 WEEKS — Patricia Knop/Zalman King/Sarah Kernochan — 3/5/84 CITY OF HOPE — John Sayles — 2/26/90 WHERE THE WILD THINGS ARE ON THE ROAD — Francis Coppola/Michael Herr — Second Draft (’97) THE BRAVE — Paul McCudden — First Draft (’95) MY BODYGUARD (S) — Alan Ormsby — Final Revised 8/28/79 LOST (108 SOLITARY) FAST TIMES AT RIDGEMONT HIGH (S) — Cameron Crowe — 10/21/81 //
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