He studied under Jacques Lecoq in the mid-1960s and was an instructor at L'École Internationale de Théâtre Jacques Lecoq in the late 1970s. Philippe Gaulier (born in Paris, 4 March 1943) is a French master clown, pedagogue, and professor of theatre. By beauty he means "anyone in the grip of pleasure or freedom". Philippe hit his drum moments later. Working with these people was fascinating as it provided us ‘veterans’ with a measurement of how far we had come since the start. The first day of the module was a positive one, which immediately threw us into a very different world to Melodrama. There are philosophical principles involved, but his training is not mired in technicalities. First we would impersonate the animal while wearing Neutral Mask, then tone our mannerisms down as we retained their essence and humanised them. I half expected Jacques Tati to ride by on a bicycle! Christian, although often perceived as a timid individual, travelled to France to focus on controlled chaos with some of the world’s toughest physical theatre teachers at L’Ècole Philippe Gaulier (alumni include Helena Bonham Carter, Sasha Baron Cohen, Emma Thompson). I had limited knowledge of Shakespeare’s characters and certainly struggled to think of many that would suit me, but Georgia proposed a scene between Saturninus and Tamora, as he runs to the lords bemoaning the arrival of Andronicus’ arrows bearing messages to the Gods. I lost confidence. Each time I had the chance to perform, I would enter to deadly silence, try something, fail, try something else, fail again, then leave. I had no choice but to walk rather briskly for this final stop as it dawned on me that my visit to the Louvre’s loos earlier hadn’t been sufficient enough to last me the whole trip. He is the founder of École Philippe Gaulier, a prestigious French theatre school in Étampes, outside Paris.He studied under Jacques Lecoq in the mid-1960s and was an instructor at L'École Internationale de Théâtre Jacques Lecoq in the late 1970s. ecolephilippegaulier.com A dancing exercise where I was blindly getting passed around from dancer to dancer while trying to escape, taking it in turns to play with chicken movements and the first week’s Autocours of two masks wanting the same seat in a theatre (During which I dropped my ticket right after my entrance and, due to my lack of visibility, spent a good couple of minutes feeling about on the floor so we could continue our scene) were all accompanied by somewhere between chuckles and hysterical laughter from the audience. Too natural,’  he told me. Gaulier's methodology of teaching is designed to allow the student to develop his own beauty and the pleasure of being on stage. The exercises we had done all contained valuable tools, but it’s nice to let go and rely on the humour a character can bring (Hopefully using these tools, but always ensuring we’re all having fun). People have to develop a way of being beautiful and surprising." The whole family of masks we created. ‘Sit down …slowly’. For the second time this module, I leapt about the stage, reminiscent of John Cleese, shouting the lines, shouting at Philippe, throwing back the jacket and satchel I had borrowed (‘Thanks for nothing! What are the best translation camera apps for andr... What are the best Acer laptops with HD video playb... What are the best Xiaozhai virtual reality headsets? Could she change her mind and decide perhaps she would rather live with someone who could speak clearer English (Or Danish)?. Philippe Gaulier (born in Paris, 4 March 1943) is a French master clown, pedagogue, and professor of theatre. On my journey I passed a Marks and Spencer, H & M, W H Smiths and various other high street stores that wouldn’t have been out of place in the UK. At the start of the module, Philippe would often ask us, ‘Is the problem with the actor or the text?’. At the start of this module, I had a strong desire to really connect with Bouffons, not only because Melodrama had been such a long slog, but also because I usually have some audience success in grotesque character-type work, so I hoped this would shine through to Gaulier. ‘Oh they’ll do just as well’ he said. On first impressions, this really was a ghost town, with an occasional influx of students who would emerge in the late afternoon from the train station. ‘I only have English notes, I’m afraid’ I responded. My fridge magnet collection at the start of the module. I had received a lot of laughter and it was easier to have fun with this type of theatre after Greek Tragedy. All that effort for very little reward! During the turn of Eve (Who had built herself up to doing the exercise after two days), I found myself stood at the far end observing the safe positioning of the bed of arms below her. Philippe hated my ‘Disney’ northern accent and told me to speak up and get angry with him, then apply it to the text. My approach was a little less optimistic, nervous and I fumbled around for how to play the mask.

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